Photographic Splendor Through the Glass

Glass is a delight and a pain to shoot through

It contains three amazing properties that enchant your thoughts while having the promise of converting the humdrum into the enchanting. However some properties, can also turn into the exasperating aspects of the stuff. ✓

Lizard behind glass

Composition with the Reflectivity and Transparency

The transparent qualities of glass are very alluring. Who among you hasnít been led down the temptation path to shoot a scene through a window, such as: aquarium glass, museum showcase, glass aquarium, and shop windows? In addition to shooting from the exterior looking in, photography moments arise when you're inside looking outside, like shooting a street scene while inside a restaurant or cafe..

As photographers, we sometimes fail to grasp our capacity to photography through glass is taken for granted and we often forget it's there. That's about the time glass starts playing its little tricks on us, enticing us into photographic entrapments. For instance, we fail to observe reflections that get in the way of our ability to acquire our object of interest on the reverse side. At times we even use our flash units, in total oblivion to the bright light that's going to bounce back in our face.

Shooting through glass

Translucency Tendency's

The second amazing quality of glass, the translucency, has rendered it perfect for the inspired stained-glass creations of artists throughout the ages. To this day, the splendid Europeís medieval cathedral windows draw huge crowds, and touches of stained glass are found in architecture throughout the world.

It's fortunate for photographers that the almost gemlike stained glass beauty is easy to photograph. While there are simple solutions for the issues photographers do come across:

Notre Dame Basilica Montrťal

Be careful where you aim. As we gaze into stained glass, we have a tendency to spontaneously turn toward the brightest spot while human eyes have the capability to adjust to any disparity between the subdued areas and the highlights. However when we point our cameras in the direction of sun, weíre moe than likely to fabricate an image with more contrast that may misrepresent the actual stained glass colors. For best results, point your camera toward a stained glass area where there's more even light.

Compose with thought. Compose your scenes so they create sense of the stained glass layout. An excellent place to start is by shooting details, overviews, and vignettes by using your full zoom range from wide through telephoto. These can display the general setting of the stained glass, like in a chapel; along with telling segments that show off the design elements.

Experiment for better color interpretation

Those jewel-style colors we love about stained glass may require different exposures for their most accurate interpretation. You probably won't be able to acquire ideal exposure for every color you see, shoot a series of images at unique settings using your menue for white balance. After seeing the outcome, you can select the adaptation that's best using the colors of your particular scene. Or you may encounter some facinating psychedelic result that augment your photo even when the colors aren't exact.

Reflectivity Principle

A third amazing quality of glass therefore is its reflectivity. Although we donít pay attention these reflections or desire them in our pictures at all times, they can turn into subjects on their own. The sheen reflecting from a glass high-rise office tower can reflect all types of fascinating sights in the city, sometimes featuring abstract and distortions and warping. Also reflections can be combined with objects on the opposite glass side to fabricate highly individual elucidation of the setting.

Glass Building reflection

Spectacular photographs can be captured through glass. However to for success, we must be impartial in our selection and make some simple precautions: Move close to your subject. By getting close to the surface of the glass, you will diminish superfluous reflections that could interfere with your image. You may even touch lens to the glass, preferably using collapsible rubber lens hood as a cushion. Polarize. Make use of a polarizer filter to eradicate reflections if there's no other choice but shooting at an angle which preserves some reflections. If a few although not every one of the reflections are ok, watch through your lens carefully as you rotate your polarizing filter and stop at just the position that becomes satisfactory to you. Naturally, if the reflections are of interest to you, be sure and not polarize them from the picture.

Never use flash.

The flash only bounces off the glass, with only a big glare spot left behind with little else. When a display is poorly lit, use your tripod or a nearby solid object to shoot an exposure long as required. In museums which donít allow the use of tripods, just increase your ISO letting you shoot a sharp image hand-holding your camera using a faster shutter speed at a minimum of 1/60th second. Luckily, a growing array of newer DSLRs, like the Nikon D5100, Sony A55 and Canon 7D, can produce outstanding image quality using higher ISO settings.)

Use your wide-angle lens. Anything behind glass is typically in fairly restrict quarters, be it an aquarium, a museum case, or even a shop window . A wide-angle lets you capture a wider expanse than other lens types and allows you work at a closer range. Carefully check your exposure. Whether you are photographing from the outside in, or the inside out, there could even be a substantial light disparity between both glass side. To get the best exposure on both glass sides, meter both the darkest and brightest areas within the composition frame. If the disparity is numerous f/stops, you just might just have to settle for correct exposure using only a single side, leaving the remaining extreme either over- or under-exposed. If you desire to have both extremes acceptably exposed, an HDR computerized program can be used to merge three or more unique, bracketed shots acquired at different exposures. However your camera must be mounted on a tripod allowing the composition stays identical. After these three images are downloaded, the HDR program merges them into one image. Click here for more information on HDR photography. New Article Oct 13, 2011

Related Articles

External Links