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Natural light photography, sometimes called available or
existing light photography, is the making of pictures by the light that happens
to be on the scene. This includes light from table, floor, and ceiling lights,
neon signs, windows, skylights, candles, fireplaces, auto mobile headlights, and
any other type of light that provides the natural lighting of a scene-except
daylight outdoors. (Moonlight is considered existing light.) Existing light then
is that type of light found in the home, in the office, in the hangar bay, in
the chapel, in the club, in the sports arenas, and so on. Outdoor scenes at
twilight or after dark are also natural light situations.

The use of natural light may pose a challenge for a photographer. The brightness and direction of the light is often not adjustable, except perhaps for indoor lighting. This will limit the selection of shutter speeds, and may require the use of shades or reflectors to manipulate the light. It can also influence the time, location, and even orientation of the photo shoot to obtain the desired lighting conditions. Available light can often also produce a color cast with color photography.
Natural light, existing light, and ambient light photography; basically, using the light that is there when making
photographs, without augmentation, overpowering it with artificial light, or modifying in any manner whatsoever, whatever the source may be. Ostensibly this method supposedly yields the most natural effect but does it really?
Many photographers consider available light work far superior to flat or even more sophisticated
flash photography or traditional artificial lighting methods used in the photographic studio.
Ambient light
Ambient light (also available light or existing light) is a term used by photographers, cinematographers and other practitioners of the visual arts to refer to the illumination surrounding a subject or scene, specifically any and all light not provided by the photographer.
Levels of ambient light are most frequently considered relative to additional lighting used as fill light, in which case the ambient light is normally treated as the key light. In some cases, ambient light may be used as a fill, in which case additional lighting provides the stronger light source, for example in
bounce flash photography. The relative intensity of ambient light and fill light is known as the lighting ratio, an important factor in calculating contrast in the finished image.
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