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Canned Heat is a blues-rock/boogie band that formed in Los Angeles, California, USA, in 1965. The group has been noted for its own interpretations of blues material as well as for efforts to promote the interest in this type of music and its original artists. It was launched by two blues enthusiasts, Alan Wilson and Bob Hite, who took the name from Tommy Johnson's 1928 "Canned Heat Blues", a song about an alcoholic who had desperately turned to drinking Sterno, generically called "canned heat". After appearances at Monterey and Woodstock, at the end of the 1960s the band acquired worldwide fame with a lineup consisting of Bob Hite, vocals, Alan Wilson guitar, harmonica and vocals, Henry Vestine (or Harvey Mandel) on lead guitar, Larry Taylor on bass, and Adolfo "Fito" de la Parra on drums.
The music and attitude of Canned Heat afforded them a large following and established the band as one of the popular acts of the hippie era. Canned Heat appeared at most major musical events at the end of the 1960s and they were able to deliver on stage electrifying performances of blues standards and their own material and occasionally to indulge into lengthier 'psychedelic' solos. Two of their songs - "Going up the Country" and "On the Road Again" - became international hits; both were re-workings of obscure blues. At the time all their albums were released for worldwide distribution.
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Canned Heat • Canned Heat Discography |
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Leroy Carr (March 27, 1905 – April 29, 1935) was an American blues singer, songwriter and pianist who developed a laid-back, crooning technique and whose popularity and style influenced such artists as Nat King Cole and Ray Charles. He first became famous for "How Long, How Long Blues" on Vocalion Records in 1928 Carr was born in Nashville, Tennessee in 1905 and grew up in Louisville and the black section of Indianapolis, Indiana.[2] By 1928 he had partnered with the jazz guitarist Scrapper Blackwell, and their work showed a distinctive urban influence that was unlike the intensely emotional vocals and heavily rhythmatic guitar back up, often bottleneck guitar style, of the Mississippi bluesmen. Carr was one of the first Northern bluesmen. Vocalion Records recorded him in 1928 and his first release "How Long, How Long Blues" was an immediate success. The innovation was in the sophisticated piano-guitar accompaniment and the wistfully sad mood. Music had moved from the lone guitarist in the fields to clubs with pianos for ready entertainment The success of his first release resulted in more Vocalion recordings.[2] Although the Great Depression of the early 1930s slowed the music industry, Carr's success continued, reaching a peak number of releases in 1934 • Leroy Carr - no Website • Leroy Carr Discography |
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Eric Patrick Clapton, CBE (born 30 March 1945) is an English blues-rock guitarist, singer, songwriter, and composer. Clapton has been inducted into the Rock and Roll Hall of Fame as a member of the Yardbirds, of Cream, and as a solo performer, being the only person ever to be inducted three times. Often viewed by critics and fans alike as one of the greatest guitarists of all time,
Clapton was ranked fourth in Rolling Stone magazine's list of the "100 Greatest Guitarists of All Time" and #53 on their list of the Immortals: 100 Greatest Artists of All Time.
Although Clapton has varied his musical style throughout his career, it has always remained grounded in the blues. Yet, in spite of this focus, he is credited as an innovator in a wide variety of genres. These include blues-rock (with John Mayall & the Bluesbreakers and the Yardbirds) and psychedelic rock (with Cream). Clapton's chart success was not limited to the blues, with chart-toppers in Delta Blues (Me and Mr. Johnson), pop ("Change the World") and reggae (Bob Marley's "I Shot the Sheriff"). Two of his most successful recordings were the hit love song "Layla", which he played with the band Derek and the Dominos, and Robert Johnson's "Crossroads", which has been his staple song since his days with Cream.
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Eric Clapton Website • Eric Clapton Discography |
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Eddy "The Chief" Clearwater is the stage name of Edward Harrington (born January 10, 1935), an American Chicago blues musician. Blues Revue said Eddy plays “joyous rave-ups…he testifies with stunning soul fervor and powerful guitar. One of the blues’ finest songwriters.”
He was born in Macon, Mississippi, on January 10, 1935. His family moved to Birmingham, Alabama in 1948. He taught himself to play guitar at an early age (left-handed and upside down) and began performing with various gospel groups, including the Five Blind Boys Of Alabama.
Clearwater is best known for being part of the Chicago blues scene since the 1950s. He performs both within the U.S. (especially around the Chicago, Illinois area, where he resides) and internationally, such as at blues festivals in France, Germany, Denmark, [Poland]] and the Netherlands. His sound has been described as “hard-driving Windy City blues, soul-tinged balladry, acoustic country blues and gospel uplift….good natured fretboard fireworks.” •
Eddy Clearwater • Eddy Clearwater Discography |
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Albert Collins (October 1, 1932 — November 24, 1993) was an electric blues guitarist and singer (and occasional harmonica player) whose recording career began in the 1960s in Houston and whose fame eventually took him to stages across the U.S.A., Europe, Japan and Australia. He had many nicknames, such as "The Ice Man", "The Master of the Telecaster" and "The Razor Blade". Born in Leona, Texas, Collins was a distant relative of Lightnin' Hopkins and grew up learning about music and playing guitar. His family moved to Houston, Texas when he was seven. Throughout the 1940s and 1950s, he absorbed the blues sounds and styles from Texas, Mississippi and Chicago. His style would soon envelop these sounds. He regularly named John Lee Hooker and organist Jimmy McGriff, along with Hopkins, Guitar Slim and Clarence “Gatemouth” Brown as major influences on his playing.
He formed his first band in 1952 and two years later was the headliner at several blues clubs in Houston. By the late 1950s Collins began using Fender Telecasters. He later chose a "maple-cap" 1966 Custom Fender Telecaster with a Gibson PAF humbucker in the neck position and a 100 watt RMS silverfaced 1970s Fender Quad Reverb combo as his main equipment, and developed a unique sound featuring minor tunings, sustained notes and an "attack" fingerstyle.
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Albert Collins • Albert Collins Discography |
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James Cotton (born July 1, 1935, Tunica, Mississippi), is an American blues harmonica player, singer, and songwriter who is the bandleader for the James Cotton Blues Band. He also writes songs alone, and his solo career continues to this day. His work includes the following genres: blues, delta blues, harmonica blues, and electric harmonica blues.
Cotton became interested in music when he first heard Sonny Boy Williamson II on the radio. He left home to find Williamson in West Helena, Arkansas. For many years Cotton claimed that he told Williamson that he was an orphan, and that Williamson took him in and raised him; a story he admitted in recent years is not true. Williamson did however mentor Cotton during his early years. When Williamson left the south to live with his estranged wife in Milwaukee, Wisconsin, he left his band in Cotton's hands. Cotton was quoted as saying, "He just gave it to me. But I couldn't hold it together 'cause I was too young and crazy in those days an' everybody in the band was grown men, so much older than me."•
James Cotton • James Cotton Discography |
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Robert Cray (born August 1, 1953) is an American blues guitarist and singer. According to the book Guinness Rockopedia, "the 1980s 'blues revival' revolved around Cray. His blend of soul vocals and blues guitar work won approval from the 'old guard' ... and a younger audience". Cray is a multiple Grammy Award winner, and many of his releases have achieved platinum record certification.
Cray was born in Columbus, Georgia and started playing guitar in his early teens. He attended Denbigh High School in Newport News, Virginia, where his love of the blues and soul music flourished as he started collecting records. Originally, he wanted to become an architect, but around the same time he began to study architectural design, he formed a local band named "Steakface", described as "the best band from Lakewood you never heard of". Cray's guitar and vocals contributed greatly to Steakface's set list of cover songs by Jimi Hendrix, Quicksilver Messenger Service, Fleetwood Mac, The Grease Band, Blodwyn Pig, Jethro Tull, Spirit and the Faces.•
Robert Cray • Robert Cray
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