Zeiss Otus 85mm F1.4 Lens

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Newest Otus Family Member from ZEISS
Continues the Success Story

Zeiss Otus 1.4 85 Lens Zeiss Otus 1.4/85 Lens"> <br> Given its focal length and speed, at first glance the new ZEISS Otus 1.4/85 appears to be a traditional portrait lens. But a closer look reveals that this is a fast all-rounder for photographers who do not accept any limitations when it comes to detail whether it is for general studio work, or fashion, advertising, product or architectural photography. In combination with modern DSLR cameras, this lens delivers unprecedented image quality even with an open aperture. ZEISS will present this new world-class lens for the first time to the public at photokina in Cologne/Germany from September 16 to 21, 2014.  <b> <a target="_blank" href="http://www.zeiss.com/camera-lenses/en_us/camera_lenses/otus/otus1455.html"> Read more about the New Zeiss Lens</a></b></p> <p> A portrait-length lens with no optical compromises, the Nikon F-mount Zeiss Otus 85mm f/1.4 Apo Planar T* ZF.2 Lens resembles its namesake and seeks to deliver notable performance in any situation. Based on the Planar design, this apochromat incorporates one aspherical element and six elements made from anomalous partial dispersion glass in order to effectively suppress chromatic and spherical aberrations throughout the focus and aperture ranges. Additionally, a floating element design is also employed and a Zeiss T* anti-reflective coating has been applied to individual lens elements for consistent sharpness and image clarity. As a high-precision tool, the Otus 85mm f/1.4 also features a refined physical construction to endure use in trying conditions. <p> The longer-than-normal focal length pairs well with the fast f/1.4 maximum aperture to enable precise control over focus position for shallow depth of field applications. Accentuating the range of control, this manual focus lens is complemented by haptic design elements, including a long rotational focus throw, rubberized focus ring, and an all-metal lens barrel with high-visibility yellow scale markings. This ZF.2-series lens is dedicated to Nikon F-mount cameras, and features an electronic interface to support camera-based adjustment over exposure settings. <ul> <li>Prime portrait-length lens designed for Nikon F-mount FX-format DSLRs and 35mm film cameras. It is also compatible with DX-format DSLRs, where it will provide a 35mm-equivalent focal length of 127.5mm.</li> <li>Fast f/1.4 maximum aperture benefits working in difficult lighting conditions and also enables extensive control over focus placement for shallow depth of field and selective focus applications.</li> <li>One aspherical element and six elements made from anomalous partial dispersion glass help to suppress chromatic aberrations for greater clarity and color accuracy around subject edges, regardless of the aperture setting in use.</li> <li>Based on the Planar optical concept, this apochromatic lens virtually eliminates both chromatic and spherical aberrations in order to reduce color fringing and color artifacts in front of and behind the plane of focus.</li> <li>A floating element design places variable air gaps between select lens groups to realize consistent performance throughout the focusing range, from 2.6' to infinity.</li> <li>Zeiss T* anti-reflective coatings have been applied to each lens surface to help minimize reflections in order to provide greater image clarity, contrast, and color fidelity.</li> <li>Manual focus design is accentuated by a rubberized focusing ring, 261 focus ring rotational angle, an inset dial window, and bright, high-visibility yellow depth of field and distance scale markings.</li> <li>An internal focusing mechanism maintains the overall lens length and, benefitting the use of circular polarizers and graduated neutral density filters, the front filter thread does not rotate during use.</li> <li>Rounded nine-blade diaphragm contributes to a pleasing out-of-focus quality.</li> <li>The sophisticated optical system is housed within an all-metal lens barrel, which is built with the narrowest of design tolerances for refined precision and durability.v <li>Aperture control ring features a locking position at the smallest aperture (f/16) to permit camera-based control over aperture values.</li> <li>This ZF.2-series lens supports Nikon DSLRs' electronic interface for camera-based control over exposure settings and in-camera focus confirmation.</li> </ul> <h3>Canon EF</h3> Will be available a "ZE" lens <h3>Nikon FX</h3>Will also come in  a ZF mount<p> </br /> </div> <div id="country9" class="tabcontent"> <!-- $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ --> <h6>Shop</h6> <div class="pullquote-shop-bot" style="margin-left:auto; margin-right:auto; "> <b>Shop for the Zeiss Lens here from these stores</b><br> <a rel="nofollow" target="_blank" href="http://www.vistaview360.com/go/go_dslr/zeiss-otus-1485?linkid=ad"> <img src="images/white/slider-shop-ad.jpg" width="105" height="77" alt="Link to Adorama" border="0"/></a> <a rel="nofollow" target="_blank" href="http://www.vistaview360.com/go/go_dslr/zeiss-otus-1485?linkid=am"> <img src="images/white/slider-shop-am.jpg" width="105" height="77" alt="Link to Amazon" border="0"/></a> <a rel="nofollow" target="_blank" href="http://www.vistaview360.com/go/go_dslr/zeiss-otus-1485?linkid=bh"> <img src="images/white/slider-shop-bh.jpg" width="105" height="77" alt="Link to B&H Photo" border="0"/></a> </div> <p> </div> <div id="country3" class="tabcontent"> <!-- $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ --> <h6>Specifications</h6> <table class="wright" border="0" cellSpacing="0" cellPadding="0" width="99%" align="center"> <tr> <th class="label">Lens type </th> <td class="value">Prime lens </td> <td class="help"> </td> </tr> <tr> <th class="label">Max Format size </th> <td class="value">85mm FF </td> <td class="help"> </td> </tr> <tr> <th class="label">Image stabilisation </th> <td class="value">No </td> <td class="help"> </td> </tr> <tr> <th class="label">Lens mount </th> <td class="value">Canon EF, Nikon F (FX) </td> <td class="help"> </td> </tr> <thead> <tr> <th class="specLabel" colspan="3">Aperture</th> </tr> </thead> <tr> <th class="label">Maximum aperture </th> <td class="value">F1.4 </td> <td class="help"> </td> </tr> <tr> <th class="label">Minimum aperture </th> <td class="value">F16.0 </td> <td class="help"> </td> </tr> <tr> <th class="label">Aperture ring </th> <td class="value">Yes </td> <td class="help"> </td> </tr> <tr> <th class="label">Number of diaphragm blades </th> <td class="value">9 </td> <td class="help"> </td> </tr> <thead> <tr> <th class="specLabel" colspan="3">Optics</th> </tr> </thead> <tr> <th class="label">Elements </th> <td class="value">11 </td> <td class="help"> </td> </tr> <tr> <th class="label">Groups </th> <td class="value">9 </td> <td class="help"> </td> </tr> <thead> <tr> <th class="specLabel" colspan="3">Focus</th> </tr> </thead> <tr> <th class="label">Minimum focus </th> <td class="value">0.80 <span class="unitsSuffix">m</span> (31.5<span class="unitsSuffix">″</span>) </td> <td class="help"> </td> </tr> <tr> <th class="label">Autofocus </th> <td class="value">Yes </td> <td class="help"> </td> </tr> <tr> <th class="label">Full time manual </th> <td class="value">No </td> <td class="help"> </td> </tr> <tr> <th class="label">Focus method </th> <td class="value">Internal </td> <td class="help"> </td> </tr> <tr> <th class="label">Distance scale </th> <td class="value">Yes </td> <td class="help"> </td> </tr> <tr> <th class="label">Focus distance limiter </th> <td class="value">No </td> <td class="help"> </td> </tr> <thead> <tr> <th class="specLabel" colspan="3">Physical</th> </tr> </thead> <tr> <th class="label">Weight </th> <td class="value">1140 <span class="unitsSuffix">g</span> (2.51 <span class="unitsSuffix">lb</span>) </td> <td class="help"> </td> </tr> <tr> <th class="label">Diameter </th> <td class="value">101 <span class="unitsSuffix">mm</span> (3.98<span class="unitsSuffix">″</span>) </td> <td class="help"> </td> </tr> <tr> <th class="label">Length </th> <td class="value">138 <span class="unitsSuffix">mm</span> (5.43<span class="unitsSuffix">″</span>) </td> <td class="help"> </td> </tr> <tr> <th class="label">Power zoom </th> <td class="value">No </td> <td class="help"> </td> </tr> <tr> <th class="label">Zoom lock </th> <td class="value">No </td> <td class="help"> </td> </tr> <tr> <th class="label">Filter thread </th> <td class="value">86.0 <span class="unitsSuffix">mm</span> </td> <td class="help"> </td> </tr> <tr> <th class="label">Hood supplied </th> <td class="value">Yes </td> <td class="help"> </td> </tr> <tr> <th class="label">Tripod collar </th> <td class="value">No </td> </tr> </table> <p> <br /> </div> <div id="country5" class="tabcontent"> <!-- $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ --> <h6>Accessories</h6> <div> <iframe height="570px" width="100%" scrolling="no" src="accessories_35_insert.htm" name="35_insert" align="center" border="0" frameborder="0" hspace="0" marginwidth="0" marginheight="0" target="_self"></iframe> </div> <br> </div> <div id="country7" class="tabcontent"> <!-- $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ --> <h6>Press Release</h6> Newest Otus Family Member from ZEISS Continues the Success Story <p> ZEISS Otus 1.4/85 expands lens family with another focal length for the highest level of professional image quality <p> OBERKOCHEN/Germany, 08/09/2014. <p> Given its focal length and speed, at first glance the new ZEISS Otus 1.4/85 appears to be a traditional portrait lens. But a closer look reveals that this is a fast all-rounder for photographers who do not accept any limitations when it comes to detail whether it is for general studio work, or fashion, advertising, product or architectural photography. In combination with modern DSLR cameras, this lens delivers unprecedented image quality even with an open aperture. ZEISS will present this new world-class lens for the first time to the public at photokina in Cologne/Germany from September 16 to 21, 2014. <p> The ZEISS Otus 1.4/85 displays all of its advantages in the classic short telephoto range, i.e. portraits and people. Its focal length, longer than a normal lens, makes it possible to keep a decent distance from the subject. Photographers who like using a landscape not just as a background will find that the ZEISS Otus 1.4/85 is no 'normal' lens, but a surprisingly powerful companion for nature photography. The edges of the picture can be used for compositional purposes at all f-stops. <p> Unique creative possibilities can be achieved for pictures even with little ambient light. Today's image sensors are extremely sensitive with little noise, which has significantly pushed the limits of what is possible even without artificial light. Fast lenses such as the ZEISS Otus 1.4/85 still offer enormous benefits compared with lenses that are two or three f-stops slower, especially when weak light meets fast-moving objects. Even when the light disappears completely, the ZEISS Otus 1.4/85 retains its excellent "vision", just like the owl species from which this lens family gets its name. Lenses reveal correction deficits very clearly with night shots with lots of open light sources that dominate the image. Not so with the ZEISS Otus 1.4/85: in challenging lighting situations with low ambient light, the performance edge of this lens becomes obvious. <p> The ZEISS Otus family of lenses and its newest member have been specially designed to meet professional photographers' most rigorous demands. Inner focusing, the dial window, and the dials' clearly recognizable yellow labeling, familiar from professional cine lenses like ARRI/ZEISS Master Prime, are just a few of the features that are setting new standards. <p> Optically, the ZEISS Otus series stands out for its high image quality, even with an open aperture. Specifically, that means a neutral bokeh in the background, highly detailed images without any optical artifacts, consistently high resolution power across the entire image field, no color fringing or distortion, and an extremely high image contrast all the way into the edges. The imaging performance remains almost entirely consistent for all shooting distances. High apertures can be used even for close-ups right down to a working distance of 0.65 meters. <p> Particularly when used in combination with high-definition 35mm DSLR cameras, ZEISS Otus lenses achieve a medium-format quality never previously achieved. In other words: lower investments, more compact gear and imaging excellence. <p> A view inside the ZEISS Otus 1.4/85 reveals how such quality is realized: The lens consists of eleven lens elements in nine groups. One of the lens elements has an aspheric optical surface and six are made of special glass. The optical design is based on the Planar. Because the ZEISS Otus 1.4/85 is apochromatic, chromatic diagonal aberrations (longitudinal chromatic aberrations) are corrected with the help of lens elements made of special glass with anomalous partial dispersion. As a result, practically no perceptible color fringing appears on contrast-rich edges in front of and behind the focal plane. Bright-dark transitions in the image, and in particular highlights, are rendered free of color artifacts. In addition, the variable air spaces between certain lens groups ("floating elements design") enable a consistently high imaging performance across the entire focusing range from 0.8 m to infinity. <p> All members of the ZEISS Otus family are characterized by the exceptional mechanical quality that sophisticated photographers are used to from ZEISS. As they were designed as manual focus lenses, it was possible to work with considerably narrower tolerances in the construction. Its smooth focus operation with the large angle of rotation allows for the finest variations when focusing. The freedom to focus one of the most important creative elements in photography has literally been put in the hands of the photographer as an artistic tool. The extra-fine haptics and the precision of the focusing mechanism can only be achieved with a metal design. The robust all-metal barrel is also well equipped to deal with the rough daily work of a professional photographer, ensuring a long product life. In contrast to lenses containing a lot of plastic, which can become unbalanced over time, the metal ZEISS Otus lenses remain stable for many years. This ensures that the image quality remains consistently high. And for all photographers who in addition to the actual optics also rely on screw-on filters in their work, matching T* UV and POL filters with a diameter of 86 millimeters will be available from ZEISS for the ZEISS Otus 1.4/85. <p> In the fall of 2013, ZEISS presented the ZEISS Otus 1.4/55, the first representative of a high-end SLR lens series with manual focusing. This has since fulfilled its promise to be "the best standard lens on the market". Both the trade press and users were impressed. <p> "When we launched the Otus 1.4/55, our customers immediately understood the benefits they can get from such a lens: using their high-end full-frame camera, they can shoot pictures with a quality and look they were previously only used to getting from expensive medium-format systems," explains Christophe Casenave, Product Manager, ZEISS Camera Lenses. "With the Otus 1.4/85 we are now bringing out the second lens with this promise. Again with the Otus 1.4/85 we can say that this is a lens without any compromise on image quality. Contrast and resolution power are at the maximum level; there are no chromatic aberrations, even in the most challenging light situations; and there's no distortion, ghosting or flare. And all of this at any aperture. When you use an Otus lens, you can focus on the composition of your images. You don't need to spend any time thinking about whether the technology could possibly be a limiting factor." <p> The ZEISS Otus 1.4/85 will be available worldwide with EF-mount (ZE) and F-mount (ZF.2) from mid-September 2014. The expected recommended retail price is 3,360.50* or US$ 4,49 <p> </div> <div id="country8" class="tabcontent"> <!-- $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ --> <h6>Images</h6> <table id="contentTable"> <tr> <td align="center" width="91%" valign="top"> <div id="loadarea" class="max500 center"> <img border="0" src="images/zeiss_slr_images/zeiss-otus-1485-angle.jpg" "class="max500" alt="Zeiss Otus 1.4 85 Lens"></div> </td> <td align="center" width="8%" style="vertical-align: top;"> <div id="wn"> <div id="lyr1"> <a href="images/zeiss_slr_images/zeiss-otus-1485-angle.jpg" rel="enlargeimage" rev="targetdiv:loadarea" onclick="return false;" title="Zeiss Otus 1.4 85 Angle"> <img border="0" class="highlight2 round1" src="images/zeiss_slr_images/zeiss-otus-1485-angle.jpg" alt="Zeiss Otus 1.4 85 Lens angle" width="70" height="70"></a><br /> <a href="images/zeiss_slr_images/zeiss-otus-1485-left.jpg" rel="enlargeimage" rev="targetdiv:loadarea" onclick="return false;" title="Zeiss Otus 1.4 85 Left"> <img border="0" class="highlight2 round1" src="images/zeiss_slr_images/zeiss-otus-1485-left.jpg" alt="Zeiss Otus 1.4 85 Lens left" width="70" height="70"></a><br /> <a href="images/zeiss_slr_images/zeiss-otus-1485-side.jpg" rel="enlargeimage" rev="targetdiv:loadarea" onclick="return false;" title="Zeiss Otus 1.4 85 Side"> <img border="0" class="highlight2 round1" src="images/zeiss_slr_images/zeiss-otus-1485-side.jpg" alt="Zeiss Otus 1.4 85 Lens side" width="70" height="70"></a><br /> </td> </tr> </table> </div> </div> <script type="text/javascript"> var countries=new ddtabcontent("countrytabs") countries.setpersist(true) countries.setselectedClassTarget("link") //"link" or "linkparent" countries.init() </script> <br /> </div> </tr> </table> <p align="left"> Know the Zeiss lens you are looking for?<br>Go directly to the lens by using the drop-down menu below<p> <iframe height="30" width="100%" 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