Developed Speciffically for Macro Photographers
designed exclusively for
digital SLR cameras
APS-C size image sensors
* that features a fast maximum aperture of F/2
The SP AF60mm F/2.0 Di II LD (IF) MACRO 1:1 (Model G005), covering an
equivalent angle of view
of 93mm when converted to the 35mm format*** and boasting a maximum aperture of F/2.0—one stop faster than the F/2.8 maximum aperture found on conventional macro lenses in the same class—is a fast life-size macro
that delivers dramatically attractive blurred background effects.
Tamron’s macro lenses (SP AF90mm F/2.8 Di MACRO 1:1 (Model 272E), SP AF180mm F/3.5 Di MACRO 1:1 (Model B01) are world renowned for their outstanding optical performance. Particularly, the
Tamron SP AF90mm macro lens first introduced in 1979 and subsequently upgraded and renewed seven times since has been highly evaluated by many
photographers as a
lens that delivers not only
attractive out-of-focus effects and sharp descriptive performance in
macro photography with its easy-to-use
focal length, but also as a lens ideal for
Amid the growing popularity of APS-C size DSLRs, Tamron recognizes that there are many photographers who wish to enjoy macro photography with a focal length that provides an angle of view equivalent to 90mm.
Tamron therefore developed the SP AF60mm medium telephoto macro lens to meet the desire of those users and goes a step further by providing the extremely
fast and desirable maximum aperture of
The SP AF60mm is a high performance and versatile lens that is
suitable not only for macro photography of textiles, small
creatures, flora and more, but also for portraiture by making good
use of its easy-to-use focal length, fast maximum aperture and high
optical quality even in low-lit conditions.
• Di-II Series Design
Design has been improved by adding a gold-colored band between the focus and zoom rings to enhance the appearance and make it stand out as a Di-II lens. The rubber patterns of the zoom and focus control rings have been improved at the same time to compliment the digital camera design style and to provide better handling.
Di-II Lenses are designed for digital SLR cameras with
Medium telephoto 1:1 life-size macro lens featuring a fast maximum aperture of F/2.0 that strikes a fine balance between attractive out-of-focus effects and sharpness
The SP AF60mm is a medium telephoto macro lens designed for APS-C size digital SLR cameras that realizes the fast maximum aperture of F/2.0 for the first time in the world****.
Using an optical design approach that attaches methodical importance to optical quality, Tamron’s optical designers have successfully controlled complex movements of respective lens groups in order to restrain the increase in aberration changes due to the fast maximum aperture, As a result achieving outstanding depictive performance that is uniformly sharp from the center to the periphery.
Since the maximum aperture of F/2.0 provides a depth-of-field that is shallower than that of conventional F/2.8 lenses, the new lens enables the user to expand the range of the macro photographic expression. The SP AF60mm developed by combining Tamron’s accumulated macro lens design know-how is an attractive lens that maintains a well-balanced relationship between sharp image performance and beautiful
out-of-focus background effects.
• Low Dispersion lens elements
Glass to reduce chromatic aberration for sharper images) Aspherical - contains aspherical elements (compensates for
spherical aberration and distortion, making for better performance with fewer elements (and As a result allowing for smaller, lighter lenses)
• Working distance of 100mm, the longest distance among lenses in this class*****
Tamron has realized the long working distance of 100mm from the front element of the lens to the subject in 1:1 life-size macro photography. The long working distance allows the user to take macro shots while maintaining a sufficient distance from such subjects like timid insects that are likely to escape if you move in too close. Also, with this longer working distance, you can prevent capturing the shadow of the lens barrel as is often the case with conventional macro lenses with insufficient working distances.
Meticulous countermeasures against ghosting and flare
Tamron employed new BBAR (Broad-Band Anti-Reflection) multi-layer coatings in order to ensure optimum performance in all photographic situations. The new BBAR coatings enhances the light transmission factors in both the short and long wavelength ranges, a condition that was thought incompatible with conventional anti-reflection coating technology. In addition, Tamron employs internal surface coatings (coatings on cemented surfaces of lens elements) for sharpness, high color reproduction performance and superior color balance.
• Lightweight and compact macro lens boasts F/2.0 fast maximum aperture
In order to prevent the lens from becoming bulky due to the fast F/2.0 maximum aperture, Tamron’s mechanical engineers thoroughly reviewed the internal constructions of conventional macro lenses and improved the accuracy of precision components by combining Tamron’s accumulated mechanical engineering techniques. Through the employment of precision injection-molded engineering plastic parts with high reliability, Tamron realized a compact body that measures only 73mm ( 2.9in.) in its maximum diameter and weighs a mere 400g (14.1oz.).
• Tamron macro lens series
The Tamron macro lens series produce sharp images against soft out-of-focus backgrounds. Not limited to
, these lenses cover the range from landscapes to portraiture. The Tamron macro lens series, with its wide-ranging adaptability, has achieved recognition among photography lovers around the world.
• Internal focusing system for enhanced ease of use
The lens employs an internal focusing (IF) system without changing the overall length of the lens due to focusing. Since the front group of the lens does not extend, the lens is particularly easy to use in close focusing ranges. Tamron has realized the working distance of 100mm, the longest distance among lenses in this class******. The internal focusing system combined with new optical solutions to realize this longer working distance allows the user to enjoy macro photography comfortably while maintaining an adequate distance from subjects.
• Full-time manual control mechanism
Delicate focusing control is essential in macro photography. The lens incorporates a full-time manual control mechanism that enables the user to manually adjust
focus without engaging the AF/MF switch-over button, even when in the auto-focus mode. In addition, the lens employs a large focus control ring to ensure a solid grip and precise control when manually focusing.
• Simple and attractive outer design
The lens employs a new outer design that is more refined and smoother in its overall contours by minimizing concavity, convexity and variations in its profile to match various digital SLR cameras. The lens barrel features a delicate matte finish, which enhances the high quality appearance of the lens.
• Tamron’s conversion value is 1.55X.
** Di II lenses are designed exclusively for use with digital SLR cameras equipped with APS-C size image sensors and employ an optical system optimized for the characteristics of those digital cameras. Di II lenses are not designed for use with 35mm film cameras or digital SLR cameras with image sensors larger than 24 x 16mm.
*** The special note “APS-C size equivalent” is hereinafter omitted.
****As of February 1, 2009, according to our research of 50-60mm life-size macro lenses
*****As of February 1, 2009, according to our research of 50-60mm life-size macro lenses
******As of February 1, 2009, according to our research of 50-60mm life-size macro lenses
Nice Macro/Portrait Hybrid, September 16, 2009
By Tim Kimzey "fstop" (eastern us)
This review is from: Tamron AF 60mm f/2.0 SP DI II LD IF 1:1 Macro Lens for Nikon Digital SLR Cameras (Electronics)
I had this lens on order for months, hoping to be one of the first to get it as soon as it was available for a Nikon mount. When I first heard the announcement of this new lens from Tamron, I was more excited than I have been for a while over new glass! As a pro photojournalist, I have quite a bevy of lenses. I was interested in this from past experience with Tamron lenses, notably the 90mm f/2.8 1:1 Macro. I have used this lens on a just-about weekly basis for over 10 years. I do not have the latest version of the 90mm, but the one I have is still working incredibly well, and I have never had a single problem with it, even as much as I have used it. The main things I loved about that lens is the absolutely wonderful bokeh, impeccable sharpness, and nice color rendition. The AF could of course be better, but maybe it is in the newer versions, I can't say.
I became aware of the 90mm lens over 15 years ago when I bought the 90mm f/2.5 version of the lens for Minolta, which I used on several Maxxum 9000 bodies for many years. I absolutely loved it, so when I made the switch to Nikon, I bought the newer one, although I have always wondered if they could make it faster, as the old one was 2.5, although not a true 1:1 macro (It was a 1:2, with a extension tube to make it 1:1).
As I bought the 90mm to use on FM2 and F5 film bodies, I thought it extremely suited for portraiture at the 90mm focal length, and used it for that purpose as much as for macro work. But with the switch to digital and the cropped format, 135mm is a bit tight for most of the portrait/environmental portrait work I do. I then started using the wonderful Nikon 50mm f/1.4 for most of that work. I also own the Nikon 85mm f/1.8. Both lenses are sharp, bright, great lenses. But they do not focus very close. Hence, I found myself constantly switching between the two Nikkors and the 90mm Tammy for studio, fashion, food and portrait photography.
Enter the 60mm. Its basically back to the 90mm focal length on (cropped sensor) digital cameras. If I shot mostly with a full-frame (FX sensor) camera, I wouldn't be so interested in this lens however. The working distance of 100mm even beats the 90mm for macro shooting. If I were a full-time macro shooter I might suggest an even longer working distance to keep shy bugs and such happy, but as I said earlier, this lens is a nice hybrid for macro/portraiture use.
I have only limited use of this lens as of this writing (just a few days), but this is my thoughts so far:
PERFECT PORTRAIT LENGTH OF 93MM, with MACRO WORKING DISTANCE of 100mm.
A f/2 APERTURE! This was probably one of the main selling points for me. Although, I must express why I am a little disappointed in that regard. From tests I have done so far, f/2 does not seem to come into play until around 14 feet to infinity. At focusing distances closer than 14 feet, the lens switches to f/2.2. It switches from 2.2 to 2.8 between 12-ish feet and a foot (that's not bad really, so you still have 2.8 all the way up to a foot in front of the lens). All true macros will do this to my knowledge, the physical parameters of focusing so close loses light. I was expecting this. But I absolutely think/wish the lens would stay a true f/2 in the portrait-shooting distances (3-8 feet lets say). Of course, its still a good deal faster than 2.8. But using the lens in studio settings or in manual modes or with manual flash settings, the aperture / exposure shifts could be annoying. And you are not getting the low-light usefulness of f/2 for any portrait-distance use.
This lens is a true INTERNAL FOCUSING lens!! I find this a monumental breakthrough for a 1:1 macro lens! The front element does not move, the lens maintains its length at any focusing distance, even at minimum. Filters stay in the mounted position. It uses a 55mm filter thread, which is very common and useful. I have many SFX filters in this thread that I can use for this lens. The hood is a nice length and stays put, and is easy to take off and put on. Seems as though it would protect the front element well and controls flare pretty good from what I can see.
The BOKEH OF THIS LENS IS SUBLIME!!!, (just as I hoped it would be). It has inherited the beautiful out-of-focus highlights that distinguishes the 90mm. Although, I was a bit skeptical as I noted that the 60mm employs a 7-blade diaphragm rather than the 9-blade of the 90mm; but the roundness of the blades seems to make a nice effect regardless.
The Autofocus on this lens is usable. It is much better than on my old 90mm. Most of the time, it seems to focus rather quickly and accurately. It makes a slight noise, but is not harsh or too loud. It will at times not find focus and rack in and out, slowing performance. It really SHOULD have a limiter switch as the 90mm does to limit focus to two distance groups. This is particularly useful to keep the lens in the focus areas you are intending, be it portrait range use or close-up macro work. It does not have a limiter switch! The full-time manual-focusing override is very nice however. It feels good in the hand. The manual mechanism however seems to be a bit hard to find focus at times; I can focus much finer and smoother with other manual-focusing lens rings. But it works, and I may become more used to the feel of it in time. Being able to 1:1 macro focus with decent AF/IF and manual over-ride (without having to move the switch or push-pull a clutch mechanism) is nice. Keeping it around 3 inches in length (at any focus distance) is very nice. It is a little over 5" in length with the hood attached.
THE LENS IS VERY SHARP, EVEN AT f/2! It's even sharper stopped down a bit. But the bokeh and sharpness at f/2 is amazing! The out-of-focus planes are very smooth. The sharpness seems very flat from the center to the edges (as all macros should be).
THE color RENDITION IS WONDERFUL! Seems slightly warm and somehow smooth. Skin tones are very good.
Seems well-made and robust. Is hard, slightly rough-feeling plastic with metal mount. Black matte finish blends well with Nikon bodies. I have no worries about quality issues. Especially with the standard 6-year warranty from Tamron USA. My copy is #0007** and it states it is made in Japan. It is rather light but solid feeling, and balances well on camera.
Shots so far with this lens are as hoped for. I am greatly pleased with this lens, especially for use on a DX-sensor camera. ****Really wish it would maintain f/2 from at least 4-6 feet, rather than 12-14 feet though!*** But so far I really like and HIGHLY RECOMMEND it for portrait/macro use on DX cameras.