The LEE Photographic Filter System has set new standards for professional and amateur photographers alike.
The robust, well designed filter holders and top quality hand made filters combine with a range of lens shades and accessories to produce the ultimate filter holder system.
| Lee Filters |
| |
Ultraviolet Filters
Your camera won't allow you
to develop clear, crisp photos if your camera lens is
damaged or dirty. You can protect your thousand dollar lens
with a $20 filter if you use a UV or haze filter. These thin
glass filters are designed to screw onto the end of your
camera lens and you can just leave them on to protect your
lens. UV filters can help protect your lenses from dust,
moisture and scratches. If your lens is damaged it could
cost you quite a bit to repair or replace it. The filters
can also give you added benefits of correction for
Ultraviolet light which can show on your film as a bluish
cast and can sometimes distort distant details. UV filters
let you correct for the UV effect to varying degrees. They
are also useful if you are shooting mountain and marine
scenes, as the haze could affect the color and clarity of
the photos. UV filters can be bought for about $20.
Haze Filters Haze Filters
do just what they sound like, they filter out haze which is
created by minute particles of vapor and dust. Haze settles
in the atmosphere and can affect distant photographic
scenes. Haze forms when sunlight is scattered by minute
particles of matter that exist in the air. Atmospheric
conditions have an effect on the amount of haze in the air.
Mist, fog, smog, smoke and clouds are all different than
haze. Green and red light are scattered by haze, but not as
much as ultraviolet radiation, violet and blue light. If you
use filters to absorb scattered sunlight you can penetrate
the haze. Any filter that can absorb scattered sunlight can
be considered a haze filter. |
 |
Lee UV 1A Standard Filter. |
 |
Lee UV 1B Standard Filter. |
 |
Lee UV 2B Standard Filter. |
 |
Lee UV 2C Standard Filter. |
| |
Polarizing Filters
These filters are used to reduce or eliminate reflections. They are ideal for photographing through glass or water as the glare from water tends to be white. Polarizing filters can also reduce the effects of haze and darken the blue sky image in black and white and color photography. There are various polarizing filters available to increase color saturation in a photo without altering the hues of image colors, but there are only two principal styles. One style fits over your camera lens, while the other is made to be used over the source of light. They don't affect color, that's why polarizing filters and screens are used in both black and white and color photography. There are two pieces to a polarizer. The front part rotates so you can change the angle of polarization. If you look at the blue sky through a polarizer and rotate it, the sky appears to get darker and then lighter. These filters range in price from about $15 to $800. They come in various sizes.
|
 |
Lee Circular Polarizers.
Available in the following sizes: 105mm Glass Rotating
Polarizer - Circular This Polarizer is attached to the
filter system via a 105mm Accessory Ring which fits to the
front of the filter holder. This allows the Polarizer to be
rotated independently of any other filters in the holder. It
is the ideal solution for landscape photography, where the
combination of graduated filters and Polarizer maybe
required.- 100mm x 100mm Square Glass Polarizer - Circular
This Polarizer slots into the filter holder, which is then
rotated to achieve the desired effect. This version is
recommended for studio use, or when no other filters are
required in addition to the Polarizer. |
 |
Lee Linear Polarizer. Available
in the following sizes: 105mm Glass Rotating Polarizer -
Linear This Polarizer is attached to the filter system via a
105mm Accessory Ring which fits to the front of the filter
holder. This allows the Polarizer to be rotated
independently of any other filters in the holder. It is the
ideal solution for landscape photography, where the
combination of graduated filters and Polarizer maybe
required. - 100mm x 100mm Square Glass Polarizer - Linear
This Polarizer slots into the filter holder, which is then
rotated to achieve the desired effect. This version is
recommended for studio use, or when no other filters are
required in addition to the Polarizer. |
| |
Neutral Density Filters
These filters are designed to reduce the amount of light coming through your camera lens without changing the color. Neutral density filters can reduce the assorted colors of light in the spectrum. White and colored light is transmitted through these filters and only the intensity of the light is affected. These filters are used with black and white and color film. If you have set your camera to its fastest shutter speed along with the smallest f/stop, but still can't take the photo without overexposing the film, you can use one of these filters to reduce the exposure further. The filters help to eliminate bright, washed out sections of a photo. Neutral density filters usually range in price from about $10 to $350. They are available in various sizes.
|
| Lee Neutral Density Standard Filters
All over ND standards are another filter that can be classed as essential in modern photography. These filters absorb light evenly across the visible spectrum, therefore reducing the light entering the lens without affecting the image color. Traditionally used on film for extending shutter speeds in bright conditions, they are now becoming essential to digital photographers for reducing the sensitivity of sensor chips on cameras which have relatively high minimum ISO settings. LEE have two ND standard filters that have been specifically designed for digital cameras. They are the 0.6 (2 stops) and 0.9 (3 stops) Proglass ND Standard Filters.
ND Standards extend exposure times allowing for movement in an image, be it people, water, foliage or clouds. The effects, if used with care can be impressive.
0.3 Neutral Density Standard
Reduces exposure by 1 stop without affecting colour balance. - Also available in
Neutral Density Set. - Available in the following sizes:
Resin Camera Filter - Standard 100mm x 100mm Polyester
Camera Filter - Standard 100mm x 100mm. |
 |
Lee ND 0.3 Filter. |
 |
Lee ND 0.6 Filter. |
 |
Lee ND 0.9 Filter. |
| |
Lee
ProGlass Filter - Standard
100mm x 100mm The ProGlass ND is an extremely high quality glass ND standard filter optimised for use with digital cameras, but equally useful for film. This brand new filter uses a surface coating made from evaporated metal, and therefore provides very even absorption across the visible spectrum and through the UV and Infra Red regions. Digital SLR users need to use ND standard filters to prolong exposure times in bright conditions for landscape photography, but the excess UV and IR can cause colour problems in some lighting situations. The ProGlass filter reduces any chance of false colour
casts, and also provides a result described as punchier on
digital and film because the light forming the image is more
specific to the requirements of the film or sensor.
|
| |
Graduated Color Neutral Density Filters -
Often, you want to balance light intensity between two areas within a scene This is important outdoors to allow more sky detail while properly exposing the foreground. Exposing for the foreground will produce a washed-out, over-exposed sky, exposing for the sky will leave the foreground dark and underexposed.
Graduated Color Neutral Density filters are part clear, part neutral density with a smoothly graded transition between. An ND.6-to-Clear is often best for balancing sky to foreground. The neutral gray appearance drops exposure.
|
 |
Lee 0.3 Neutral Density Graduated
Filter. |
 |
Lee 0.45 Neutral Density Graduated
Filter. |
 |
Lee 0.6 Neutral Density Graduated
Filter. |
 |
Lee 0.75 Neutral Density Graduated
Filter. |
 |
Lee 0.9 Neutral Density Graduated
Filter. |
| |
Graduated Filter Sets |
 |
Lee Graduated Neutral Density Set The Neutral Density Set can be used with both digital and film cameras. The set contains graduated resin filters that enable the photographer to adjust exposure over part of the photograph without effecting colour
balance. Exposure can be controlled by 1, 2 or 3 stops. For
example, when photographing a landscape in which the sky is
much brighter than the foreground, placing the Neutral
Density part of the filter onto the sky in the frame will
reduce the sky exposure without effecting the foreground.
This enable cloud detail to be kept correctly exposed and
avoids the “white out” effect caused by exposing for the
foreground.
|
 |
Lee Graduated Autumn Tint Set.
This set which consists of Tobacco 2, Coral 6 and Chocolate
2 filters, can be used to create atmospheric autumnal
effects. These filters have been designed both as hard
graduates and standard filters, a feature that has been
achieved by manufacturing the filter with the graduation
line 90 mm from the top of the filter. This gives ample room
for the photographer to place the colored portion of the
filter either over the whole lens, as a standard, or only
half-way over the lens, as a grad. |
 |
Lee Graduated Sky Set.
This set contains Sunset 2, Coral Stripe and Sky Blue 3 graduated filters, which may be used individually or in combinations to enhance sky tones in landscapes, seascapes, and general outdoor photography. The Coral Stripe is ideal for creating a warm glow on the horizon, and can be placed strategically in the frame, creating an effect across a particular object or section of the image. The sunset filter can
be used to create or enhance morning
and evening skies. |
 |
Lee Graduated Sunset Set
The popular three-color sunset filter is now available as a set of three
separate filters - Sunset red Grad, Sunset Orange Grad and
Sunset Yellow Grad. This offers the photographer the
flexibility and control they need to achieve the result they
want, adding warmth and definition to both sky and
landscape. |
 |
Lee Graduated Twilight Set For a
more subtle effect the twilight set contains a paler,
thinner version of Lee Filter's Coral Stripe filter. It is
teamed with a Mahogany 3 Grad, which gives an ideal red sky
at night effect, and a dark blue twilight filter for
capturing the moment when day finally turns to night. |
| |
Combination Filters
Combinations are the secret weapon of the filter user in the know. They are grad filters with a different color at each end of the filter and although this can be any combination of colors, it will most usually be an ND and a warm up.
Filters where one color covers the entire filter and another is overdyed at one end are termed a ‘with’ combination – separate colors at each end are denoted as ‘to’ combinations.
|
 |
Lee Combination 0.6 Neutral Density with
81B Filter. |
 |
Lee Combination 0.6 Neutral Density with
85C Filter.
|
 |
Lee Combination 0.75 Neutral Density
with 81A Filter.
|
 |
Lee Combination 0.9 Neutral Density with
81A Filter.
|
 |
Lee Combination 0.6 Neutral Density to
81A Filter. |
 |
Lee Combination 0.6 Neutral Density to
81B Filter. |
 |
Lee Combination 0.6 Neutral Density to
Coral 2 Filter.
|
 |
Lee Combination 0.75 Neutral Density to
Coral 2 Filter. |
 |
Lee Combination 0.9 Neutral Density to
Straw 2 Filter. |
| |
Color Conversion Filters
These filters are used to balance the color temperatures when you are using certain films under different light sources. An example of this would be using daylight film under tungsten lighting or vice versa.
Color conversion filters are designed to convert the temperature of the film to light or of the light to film. This will allow all the colors to fall in proper perspective and look natural. These filters are generally available in two series:
|
| |
Cooling Filters |
 |
Lee 80A Graduated Filter.
Approximate Exposure Increase: 2 stops
Conversion: 3700K to 5500K
Mired Shift: -131
|
 |
Lee 80A Standard Filter. |
 |
Lee 80B Graduated Filter. Check
availability, sizes & current prices at - |
 |
Lee 80B Standard Filter. |
 |
Lee 80C Graduated Filter. Check
availability, sizes & current prices at - |
 |
Lee 80C Standard Filter. |
 |
Lee 80D Graduated Filter. |
 |
Lee 80D Standard Filter. Check
availability, sizes & current prices at - |
 |
Lee 82 Graduated Filter. Check
availability, sizes & current prices at - |
 |
Lee 82 Standard Filter.
|
 |
Lee 82A Graduated Filter. |
 |
Lee 82A Standard Filter. Check
availability, sizes & current prices at - |
 |
Lee 82B Graduated Filter. |
 |
Lee 82B Standard Filter. |
 |
Lee 82C Graduated Filter. |
 |
Lee 82C Standard Filter. |
| |
Warming Filters |
 |
Lee 81 Graduated Filter. |
 |
Lee 81 Standard Filter.
|
 |
Lee 81A Graduated Filter. |
 |
Lee 81A Standard Filter. |
 |
Lee 81B Graduated Filter. |
 |
Lee 81B Standard Filter. |
 |
Lee 81C Graduated Filter. |
 |
Lee 81C Standard Filter. |
 |
Lee 81D Graduated Filter. |
 |
Lee 81D Standard Filter.
|
 |
Lee 81EF Graduated Filter. |
 |
Lee 81EF Standard Filter. |
 |
Lee 85 Graduated Filter. |
 |
Lee 85 Standard Filter. |
 |
Lee 85B Graduated Filter. Check
availability, sizes & current prices at - |
 |
Lee 85B Standard Filter. |
|
|
Lee 85C Graduated Filter. Check
availability, sizes & current prices at - |
|
|
Lee 85C Standard Filter.
|
| |
Soft Focus Filters - Diffusion filters are used to create soften images.
A diffusion filter diffuses strong light without affecting the sharpness and contrast of the image. Thus, it is different from the effect of out of focus. Diffusion filters are mainly used in portrait work. In general, small skin defects can be eliminated almost completely, and facial contrast and wrinkles are soften. To create a better result,
the aperture should be opened up so that the subject can stand out well against the background |
 |
Lee Glass Soft Focus Filter
Designed for the portrait, wedding or studio photographer,
the Glass Soft Focus Filter forms part of the extensive
range of LEE creative effects filters. The Glass Soft Focus
filter gives a gentle, flattering effect, which is not
obviously noticeable unless compared with an unfiltered
shot. It has minimal effect on contrast and does not
overpower the image. Changes in aperture or focal length
will not have an adverse effect. As well as being used
indoors the Filter can be used just as well outdoors by
landscape photographers. It can be used to soften foreground
objects and can give a pleasing almost 3D effect to the
image. |
| Lee
Net Soft Focus Filters. Based on Net filters commonly used in
cinematography, these filters provide a subtle soft focus
effect while also increasing (black net) or decreasing
(white net) contrast. If required the selective hole can be
slid into frame to provide an unaffected clear centre
effect. The Black Net 1 has an approximate exposure increase
of ½ stop. Whilst the Black Net 2 has an approximate
exposure increase of 1 stop. |
 |
Lee Black Net 1 with Clear Spot Filter. |
 |
Lee Black Net 1 Standard Filter. |
 |
Lee Black Net 2 with Clear Spot Filter. |
 |
Lee Black Net 2 Standard Filter. |
 |
Lee White Net with Clear Spot Filter. |
 |
Lee White Net Standard Filter. |
| Lee Polyester Soft Focus Filters
Based on filters originally developed by LEE Filters for use
in the film industry, LEE Soft Focus Filters take the image
from a subtle, barely noticeable softening to a heavy
diffusion. Made from the highest quality, optically correct
polyester-based materials, these lightweight and inexpensive
filters are ideal for every type of portraiture and social
photography. Mounted in plastic frames for extra protection,
these filters slip easily into the photographer’s filter
holder system, to give the outstanding results expected from
a LEE Filter product. |
 |
Lee Polyester Soft Focus 1 Filter. |
 |
Lee Polyester Soft Focus 2 Filter.
|
 |
Lee Polyester Soft Focus 3 Filter.
|
 |
Lee Polyester Soft Focus 4 Filter. |
 |
Lee Polyester Soft Focus 5 Filter.
|
| |
Color Temperature Correction Filters.
These are technically correct color conversion filters, changing color temperature with no added color cast. 81 is the palest and 85B is the darkest.
|
 |
Lee FL-B 5700K Filter
Film Type: Tungsten (3200K) Approx Exposure Increase: 1 1/3
stops Light Source: Cool White 5700K. Check availability,
sizes & current prices at - |
 |
Lee FL-B 4300K Filter Film Type:
Tungsten (3200K) Approx Exposure Increase: 1 stop Light
Source: White 4300K Also available in Tungsten Fluorescent
Set. Check availability, sizes & current prices at - |
 |
Lee FL-B 3600K Filter.
Film Type: Tungsten (3200K) Approx Exposure Increase: 2/3
stop Light Source: Warm White 3600K Also available in
Tungsten Fluorescent Set.
|
 |
Lee FL-D 5700K Filter. |
 |
Lee FL-D 4300K Filter. |
 |
Lee FL-D 3600K Filter. |
| |
Color Effects Filters.
There are many filters in the
range which have no specific use, but are used in many
different ways to enhance an image |
 |
Lee Pop Red Graduated Filter. |
 |
Lee Sunset Red Graduated Filter.
Check availability, sizes & current prices at - |
 |
Lee Sunset 1 Graduated Filter.
|
 |
Lee Sunset 2 Graduated Filter.
Check availability, sizes & current prices at - |
 |
Lee Sunset 3 Graduated Filter.
Check availability, sizes & current prices at - |
 |
Lee Yellow Graduated Filter.
|
 |
Lee Yellow Stripe Filter. Check
availability, sizes & current prices at - |
 |
Lee Sunset Yellow Graduated Filter.
Check availability, sizes & current prices at - |
 |
Lee Straw 1 Graduated Filter.
Check availability, sizes & current prices at - |
 |
Lee Straw 1 Standard Filter.
Check availability, sizes & current prices at - |
 |
Lee Straw 2 Graduated Filter. |
 |
Lee Straw 2 Standard Filter. |
 |
Lee Straw 3 Graduated Filter. |
 |
Lee Straw 3 Standard Filter. |
 |
Lee Straw Stripe Filter. |
 |
Lee Sunset Orange Graduated Filter.
|
 |
Lee Pale Coral Stripe Filter. |
 |
Lee Coral 1 Graduated Filter.
|
 |
Lee Coral 1 Warming Filter. |
 |
Lee Coral 2 Graduated Filter. |
 |
Lee Coral 2 Warming Filter. |
 |
Lee Coral 3 Graduated Filter. |
 |
Lee Coral 3 Warming Filter. |
 |
Lee Coral 4 Graduated Filter. |
 |
Lee Coral 4 Warming Filter. |
 |
Lee Coral 5 Graduated Filter. |
 |
Lee Coral 5 Warming Filter. |
 |
Lee Coral 6 Graduated Filter. |
 |
Lee Coral 6 Warming Filter. |
 |
Lee Coral 7 Graduated Filter. |
 |
Lee Coral 7 Warming Filter. |
 |
Lee Coral 8 Graduated Filter. |
 |
Lee Coral 8 Warming Filter. |
 |
Lee Coral 9 Graduated Filter. |
 |
Lee Coral 9 Warming Filter. |
 |
Lee Coral 10 Graduated Filter. |
 |
Lee Coral 10 Warming Filter. |
 |
Lee Coral 11 Graduated Filter. |
 |
Lee Coral 11 Warming Filter. |
 |
Lee Coral 12 Graduated Filter. |
 |
Lee Coral 12 Warming Filter. |
 |
Lee Coral 13 Graduated Filter. |
 |
Lee Coral 13 Warming Filter. |
 |
Lee Coral 14 Graduated Filter. |
 |
Lee Coral 14 Warming Filter. |
 |
Lee Coral Stripe Filter. |
 |
Lee Chocolate 1 Graduated Filter. |
 |
Lee Chocolate 2 Graduated Filter. |
 |
Lee Tobacco 1 Graduated Filter. |
 |
Lee Tobacco 2 Graduated Filter. |
 |
Lee Tobacco 3 Graduated Filter. |
 |
Lee Sepia 1 Graduated Filter. |
 |
Lee Sepia 2 Graduated Filter. |
 |
Lee Sepia 3 Graduated Filter. |
 |
Lee Green 1 Graduated Filter. |
 |
Lee Pop Green Graduated Filter. |
 |
Lee Pop Blue Graduated Filter. |
 |
Lee Blue Stripe Filter. |
 |
Lee Real Blue 1 Graduated Filter. |
 |
Lee Real Blue 2 Graduated Filter. |
 |
Lee Real Blue 3 Graduated Filter. |
 |
Lee Sky Blue 1 Graduated Filter. |
 |
Lee Sky Blue 2 Graduated Filter. |
 |
Lee Sky Blue 3 Graduated Filter. |
 |
Lee Sky Blue 4 Graduated Filter. |
 |
Lee Sky Blue 5 Graduated Filter. |
 |
Lee Cyan Graduated Filter. |
 |
Lee Cyan 1 Graduated Filter. |
 |
Lee Twilight Graduated Filter. |
 |
Lee Mahogany 1 Graduated Filter. |
 |
Lee Mahogany 2 Graduated Filter. |
 |
Lee Mahogany 3 Graduated Filter. |
 |
Lee Magenta Graduated Filter. |
 |
Lee Pink 1 Graduated Filter. |
 |
Lee Pink Stripe Filter. |
 |
Lee Fog 1 Effect Filter. |
 |
Lee Fog 2 Effect Filter. |
 |
Lee Fog 3 Effect Filter. |
 |
Lee Fog 4 Effect Filter. |
 |
Lee Fog 5 Effect Filter. |
 |
Lee Low Contrast ¼ Resin Filter. |
 |
Lee Low Contrast ½ Resin Filter. |
 |
Lee Low Contrast ¾ Resin Filter. |
 |
Lee Low Contrast 1 Resin Filter. |
 |
Lee Low Contrast 1½ Resin Filter. |
 |
Lee Mist Graduated Filter. |
 |
Lee Mist Spot Filter. |
 |
Lee Mist Stripe Filter. |
 |
Lee Star Spot 1 (4 Point) Filter. |
 |
Lee Star Graduated (6 Point) Filter. |
 |
Lee Star Segment (8 Point) Filter. |
 |
Lee Star Standard (6 Point)
Filter. |
 |
Lee Star Standard (8 Point) Filter. |
| |
Color Compensating Filters
Color compensating filters are sometimes referred to as CC filters. They are used to adjust the overall color balance received from color films, especially in slide film.
Improper color cast can occur in your photos without one of the color compensating filters. The filters are generally used to color balance lights such as fluorescent, tungsten, and mercury-vapor and also to bounce light that is reflected from colored surfaces and objects.
|
 |
Lee Blue - CC025B - Color
Compensating Resin Filter. Absorbs Red & Green. |
 |
Lee Blue - CC05B - Color
Compensating Resin Filter. Absorbs Red & Green. |
 |
Lee Blue - CC10B - Color
Compensating Resin Filter. Absorbs Red & Green. |
 |
Lee Blue - CC15B - Color
Compensating Resin Filter. Absorbs Red & Green. |
 |
Lee Blue - CC20B - Color
Compensating Resin Filter. Absorbs Red & Green.
|
 |
Lee Blue - CC025B - Color
Compensating Resin Filter. Absorbs Red & Green. |
 |
Lee Blue - CC30B - Color
Compensating Resin Filter. Absorbs Red & Green. |
 |
Lee Blue - CC40B - Color
Compensating Resin Filter. Absorbs Red & Green.
|
 |
Lee Blue - CC50B - Color
Compensating Resin Filter. Absorbs Red & Green. |
 |
Lee Cyan - CC025C - Color
Compensating Resin Filter. Absorbs Red. |
 |
Lee Cyan - CC05C - Color
Compensating Resin Filter. Absorbs Red.
|
 |
Lee Cyan - CC10C - Color
Compensating Resin Filter. Absorbs Red.
|
 |
Lee Cyan - CC15C - Color
Compensating Resin Filter. Absorbs Red. |
 |
Lee Cyan - CC20C - Color
Compensating Resin Filter. Absorbs Red.
|
 |
Lee Cyan - CC025C - Color
Compensating Resin Filter. Absorbs Red.
|
 |
Lee Cyan - CC30C - Color
Compensating Resin Filter. Absorbs Red. |
 |
Lee Cyan - CC40C - Color
Compensating Resin Filter. Absorbs Red.
|
 |
Lee Cyan - CC50C - Color
Compensating Resin Filter. Absorbs Red. |
 |
Lee Green - CC025G - Color
Compensating Resin Filter. Absorbs Blue & Red..
|
 |
Lee Green - CC05G - Color
Compensating Resin Filter..Absorbs Blue & Red.. |
 |
Lee Green - CC10G - Color
Compensating Resin Filter. Absorbs Blue & Red.. |
 |
Lee Green - CC15G - Color
Compensating Resin Filter. Absorbs Blue & Red.. |
 |
Lee Green - CC20G - Color
Compensating Resin Filter. Absorbs Blue & Red.. |
 |
Lee Green - CC25G - Color
Compensating Resin Filter. Absorbs Blue & Red.. |
 |
Lee Green - CC30G - Color
Compensating Resin Filter. Absorbs Blue & Red.. |
 |
Lee Green - CC40G - Color
Compensating Resin Filter. Absorbs Blue & Red..
|
 |
Lee Green - CC50G - Color
Compensating Resin Filter. Absorbs Blue & Red.. |
 |
Lee Magenta - CC025M - Color
Compensating Polyester Filter. |
 |
Lee Magenta - CC05M - Color
Compensating Resin Filter. Absorbs Green. |
 |
Lee Magenta
CC10M Color Compensating (Color Correction)
Absorbs Green. Act specifically on relatively narrow bands
of color. That is why they do not come in two color variants
(bluish and reddish) like conversion filters do. Instead,
they come in three primary additive colors and their three
secondary colors (which can be interpreted as the primary
colors of subtractive mixing) - each color comes in
practical density steps. |
 |
Lee Magenta - CC15M - Color
Compensating Resin Filter. Absorbs Green. |
 |
Lee Magenta - CC20M - Color
Compensating Resin Filter. Absorbs Green. |
 |
Lee Magenta - CC25M - Color
Compensating Resin Filter. Absorbs Green.
|
 |
Lee Magenta
CC30M Color Correction - Absorbs Green. Balance
excessive green cast and produce creative effects with this
filter. It's great for early morning tint and can be
combined with other filters to achieve more density. |
 |
Lee Magenta - CC40M - Color
Compensating Resin Filter. Absorbs Green.
|
 |
Lee Magenta - CC50M - Color
Compensating Resin Filter. Absorbs Green. |
 |
Lee Red - CC025R - Color
Compensating Resin Filter. Absorbs Blue & Green. |
 |
Lee Red - CC05R - Color
Compensating Resin Filter. Absorbs Blue & Green. |
 |
Lee Red - CC10R - Color
Compensating Resin Filter. Absorbs Blue & Green. |
 |
Lee Red - CC15R - Color
Compensating Resin Filter. Absorbs Blue & Green. |
 |
Lee Red - CC20R - Color
Compensating Resin Filter. Absorbs Blue & Green. |
 |
Lee Red - CC25R - Color
Compensating Resin Filter. Absorbs Blue & Green. |
 |
Lee Red - CC30R - Color
Compensating Resin Filter. Absorbs Blue & Green. |
 |
Lee Red - CC40R - Color
Compensating Resin Filter. Absorbs Blue & Green. |
 |
Lee Red - CC50R - Color
Compensating Resin Filter. Absorbs Blue & Green. |
 |
Lee Yellow - CC025Y - Color
Compensating Resin Filter. Absorbs Blue. |
 |
Lee Yellow - CC05Y - Color
Compensating Resin Filter. Absorbs Blue.
|
 |
Lee Yellow - CC10Y - Color
Compensating Resin Filter. Absorbs Blue.
|
 |
Lee Yellow - CC15Y - Color
Compensating Resin Filter. Absorbs Blue. |
 |
Lee Yellow - CC20Y - Color
Compensating Resin Filter. Absorbs Blue. |
 |
Lee Yellow - CC25Y - Color
Compensating Resin Filter. Absorbs Blue.
|
 |
Lee Yellow
CC30Y - Color Compensating Filter- Color Correction
filters can remove unwanted blue tones or simply allow you
to experiment with different color renditions. Absorbs
Blue. |
 |
Lee Yellow - CC40Y - Color
Compensating Resin Filter. Absorbs Blue. |
 |
Lee Yellow - CC50Y - Color
Compensating Resin Filter. Absorbs Blue. |
| |
Lee Filters for Black and White Photography
A colored filter used in Black and White photography will lighten any color that is similar to its own, and darken other colors. A red filter for instance, will make a red post box appear almost white and blue sky as almost black as the relevant colors are either transmitted or absorbed. Green filters are popular for lightening foliage or grass and blue filters are often used to enhance skin tones and texture in portraiture, as they will darken pinks and reds. Pale colors have a subtle effect whereas dark hues effect the image dramatically.
|
 |
Lee #3 Light Yellow Graduated
Filter Partially corrects for excess blue in aerial
Photography. |
 |
Lee #3 Light Yellow Resin Filter
Partially corrects for excess blue in aerial Photography. |
 |
Lee #8 Yellow Graduated Filter
Darkens sky, cloud and foliage to reproduce correct tones. |
 |
Lee #8 Yellow Resin Filter.
Darkens sky, cloud and foliage to reproduce correct tones.
Also available in Black & White Set. |
 |
Lee
11 Yellowish Green Graduated Filter Used to alter the response of
panchromatic emulsions to be equivalent to the natural
response of the eye to objects under tungsten illumination.
Greens are reproduced slightly lighter in daylight. |
 |
Lee #11 Yellow Green Resin Filter.
Used to alter the response of panchromatic emulsions to be
equivalent to the natural response of the eye to objects
under tungsten illumination. Greens are reproduced slightly
lighter in daylight. Also available in Black & White Set. |
 |
Lee #12 Deep Yellow Graduated Filter.
Minus blue filter. Can be used to cancel blue light when
infrared-sensitive films are exposed. Also penetration of
haze during aerial photography. |
 |
Lee #12 Deep Yellow Resin Filter.
Minus blue filter. Can be used to cancel blue light when
infrared-sensitive films are exposed. Also penetration of
haze during aerial photography. |
 |
Lee #15 Deep Yellow Graduated Filter.
Increases contrast between cloud and sky greater than No. 8,
for over-correction effect. Also used for copying documents
on yellowed paper. |
 |
Lee #15 Deep Yellow Resin Filter.
Increases contrast between cloud and sky greater than No. 8,
for over-correction effect. Also used for copying documents
on yellowed paper. |
 |
Lee #16 Yellow Orange Graduated Filter.
Gives even greater over-correction than No. 15. Absorbs a
small amount of green. |
 |
Lee #16 Yellow Orange Resin Filter.
Gives even greater over-correction than No. 15. Absorbs a
small amount of green. |
 |
Lee #21 Orange Graduated Filter.
Contrast filter. Absorbs blue and blue/green |
 |
Lee #21 Orange Resin Filter.
Contrast filter. Absorbs blue and blue/green. Also available
in Black & White Set. |
 |
Lee #23A Light Red Graduated Filter.
Greater contrast effect than No. 21 Orange. |
 |
Lee #23A Light Red Resin Filter.
Greater contrast effect than No. 21 Orange. Also available
in Black & White Set. |
| |
Tri-Color Filters |
 |
Lee #25 Tricolor Red
Filter. A separation filter with maximum
transmission above 610 nanometres. Also used for black and
white contrast effects, haze penetration in aerial
photography, and removing blue in infra-red photography.
Approx exposure increase 2½ to 3 stops. |
 |
Lee #47B Tricolor Blue
Filter - A Separation filter with maximum transmission
at 440 nanometres. Approximate exposure increase 2½ to 3
stops. |
 |
Lee #58 Tricolor Green
Filter A separation filter with maximum transmission at
530 nanometres. Approximate exposure increase 2½ to 3 stops. |
| |
Long Exposure Filters |
| |
Long Exposure Filters
Long exposure filters are used to extend the length of an exposure (shutter speed). Extending the shutter speed allows anything that is moving in your image to become blurred or ghost like. Subjects such as clouds, waterfalls, rivers and the sea work particularly well. However the effect is not limited to landscapes, the filter can also be used on cityscapes to blur people or roads and motorways to blur traffic.
Check availability, sizes & current prices at |
 |
Lee BIG Stopper Filter
A glass filter that reduces exposure by approximately 10 stops. Check
availability, sizes & current prices at - |
| |
Infrared Filters
Infrared filters are made to block mid infrared wavelengths while allowing visible light to pass through. They are sometimes referred to as heat absorbing filters and are ideal at cutting through haze. These types of filters are commonly used to prevent unnecessary heating in items which have bright incandescent light bulbs. Examples of such devices are slide projectors and overhead projectors. You can also get near infrared filters. These types of filters commonly are used in video cameras to compensate for the high sensitivity of the camera's sensors to near-infrared light. Infrared filters can range in price from about $20 to $450. They come in various sizes, styles and brands.
|
 |
Lee #87 Infrared Filter.
This filter is great for creating infra-red effects with
both digital and film cameras. |
| |
|
|
|
